2024 | At the 2024 Whitney Biennial, What is Touched Touches Back | OCULA


2023 | Another Revolutionary Woman: Ghada Amer’s Paravent Girls | OCULA

2023 | BRANDON | Trans Hirstory in 99 Objects


2022 | Realm Making and Time Morphing | X Virtual Catalogue 2021-2022


2022 | Artist Profile: Pete Jiadong Qiang | Rhizome

2022 | Re-Thinking Scale and Measurement at the SculptureCenter | OCULA


2021 | BRIClab Essays: In Defense of Domesticity, Monotony, and Interiority | BRIC

2021 | Portrait on Shu Lea Cheang: Viral Love | Spike Art Magazine


2020 | Between Technology and the Human Flesh — A Review of Tishan Hsu: Liquid Circuit | Cobo Social

2020 | On Liu Ye's Uncritical Reproductions | OCULA

2020 | How to Stay Connected During a Pandemic | Cobo Social


2019 | A Performa Production Co-opted the Story of a Sex Worker (Co-Written with KK de La Vida) | Hyperallergic

2019 | Docile, Mutating and Resistant Bodies | artasiapacific

2019 | Whitney Biennial 2019: Between Resistance and Complicity | OCULA

2019 | The Air Chrysalis: The Bodily and The Sonorous. Thoughts on Tatyana Tenenbaum’s Tidal (Co-Written with Tingying Ma) | Movement Research

2019 | NIC Kay | PERFORMA Magazine

2019 | Klara Lidén | PERFORMA Magazine

2019 | Net Art's Archival Poetics at the New Museum | OCULA

2019 | Is AI Rendered Portraiture Actually Timeless? | Cobo Social


2018 | Zhang Xiaogang and the Different Shapes of Class Ideology | frieze

2018 | Negotiating Gender, Labor, and Authorship | Brooklyn Rail

2018 | Asia Contemporary Art Week: Diary #4: 3–9 October 2018 | OCULA

2018 | Asia Contemporary Art Week: Diary #5: 11–17 October 2018 | OCULA

2018 | Guggenheim Museum: One Hand Clapping | LEAP

2018 | Decades in the Making: Interview with Shu Lea Cheang | artasiapacific

2018 | Mel Chin: What Does It Take to be Unmoored | Cobo Social

2018 | Ian Gouldstone: Exploring the Lifecycle of Digital Objects | Cobo Social


2017 | The Many Faces Made from Chelsea Manning’s DNA | Hyperallergic

2017 | Art and China after 1989: Theater of the World | Brooklyn Rail

2017 | Learning About Tactics of Resistance Through Southeast Asian Art | Hyperallergic

2017 | Joan Jonas: Deconstructing the Medium | LEAP

2017 | Ian Cheng – Between Human and Non-Human | Cobo Social

2017 | Shanghai Hit List | Ran Dian

2017 | Light, Memories, and Fleetingness: Apichatpong Weerasethakul at ShanghART | Cultbytes

2017 | Can Archives be Performed? Su Yu-Hsien and Cici Wu Respond in Two New Works | Cultbytes


2016 | Edging Closer…But Not Quite There: Pipilotti Rist at the New Museum | WHITEHOT MAGAZINE

2016 | Cici Wu | Wulun