¥ On Heaven on Fourth

¥ The Air Chrysalis: The Bodily and the Sonorous

¥ Wang Xu at 47 Canal

¥ Performa Reports // Nic Kay

¥ Performa Reports // Klara Lidén

¥ Net Art’s Archival Poetics at the New Museum

¥ Is AI-Rendered Portraiture Actually Timeless

¥ Zhang Xiaogang and the Different Shapes of Class Ideology

¥ Asia Contemporary Art Week Diary Entry Oct 11-17, 2018

¥ Asia Contemporary Art Week Diary Entry Oct 3-9, 2018

¥ Mel Chin: What does it take to be Unmoored

¥ Decades in the Making: Interview with Shu Lea Cheang

¥ Joan Jonas: Deconstructing the Medium

¥ Negotiating Gender, Labor, and Authorship: Thinking Machines at MoMA

¥ Art and China after 1989: Theater of the World

¥ The Many Faces of Chelsea Manning: A Becoming Resemblance at Fridman Gallery

¥ Tactics of Resistance: After Darkness at Asia Society

¥ Shanghai 2017 Summer Exhibition Roundup

¥ Between Human and Non-Human: Ian Cheng at MoMA PS1

¥ Edging Closer…But Not Quite There: Pipilotti Rist at New Museum

¥ Light, Memory, and Fleetingness: Apichatpong Weerasethakul at ShanghArt

¥ Review of Tales of Our Time at Guggenheim Museum 

¥ Can Archives be Performed: Su Yu-Hsien AND Cici Wu at Triangle Arts

¥ Interview with Cici Wu

¥ Interview with Lindsey Wolkowicz